DCC LEICA M3

quinta-feira, 17 de janeiro de 2008

BORACEIA, São Paulo North Shore

´THE BEST THINGS IN LIFE
IT IS ABSOLUTELY FREE´
( Mel Torme, singer )

BRAZIL have one of the huggests seashore on the Earth, thanks to its TransContinental Area ( even without a back door to Pacific Ocean Westbounderies against the rocky Andes ) and his almost 9,000Km of sunny & large, spread beaches are constanntly feeded with Deep Green waters, softly warmed by the Equatorials Air & Oceanic Streams .

All this generosity generate on Brazilians Natives -and a lot of Visitors- a kind of Mutant Inoculation throughout the DNA Helix:

Here, you just obbey some VERY INTERESTING Natural Laws.

Like sazonal & inevitable MASSIVE MIGRATION Eastbound.

Every year, the calls of the Salty Jungle atracts us to There.

No matter how Rich, un-Famous, Annonimous you are: It is a meeting cellebration between You, your semi-naked Body, the HUGENESS of all the Existence around&around&around...

For humans wich surrounds the planetary 23° South Paralel Westbound, the Wonderfull Paradise really exists, in a form of jagged Forestry Mountains covered with massive gigantic trees from Sub-tropical Rain Forests dipping his strong roots in Atlantic Ocean borders wheres Brazil* at last cool begins.

In this astonnishing scenario, life runs in a happy natural environment, the clockwatchs moves calm, all is blissfull...

EXCEPT for my Cousins, wich I need to transform myself into a Part-Time Quasi-Angry PathFinder BabySitter, YUZ!

Unnafortunnely to them, I am really a so0o Jeallous Guy... :)
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*For those who concernned BRASIL is the named color for the live coal effect, kindda deep reddish bright tone, wich the Portuguese Sailors calls the native wood PÁU-BRASIL thanks to vivids fired colors, strong fibers very hard to cut but fine to works out with beauty aesthetics in a hundred million utilities on the ZeitGeist of year 1500 d.C. running by.

This case is unique in tentire World: A word that will soon recognize this new race to be formed all together with the Africans, Indians, lot of Mediterranean, some Setentrional Europeans and even by a ( S U R P R I S E ! ) few SO FINE Southeasterners North-Americans after the U.S. Civil War, my ascendents from Texas, Georgia, Tenessee & Carolinas.

People born here will be knowed soon as ´brazeelay´eerooz´.

Wich means The Ones Wich Works The Pau Brasil Trees.

We receive the name derived from a TREE, tagging a JOB.

We are WORKERS. We are NOT from a ´Place´ or a´Race´.

Like used to be -and mean- on the rest of peoples on his own Countries across Earth. If in doubts? Just check it out.

By the way this do not turns us Better/Worse than others.

Just different very indeed, so ENJOY US, STRANGERS! ;)

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SURFAR É PRECISO ( Viver, não é preciso... ) winter

Contorno da sobrinha, servindo-me de BenchMark... :)

Keep walking, indeed, but loose no the perspective, Yup ?

BORACÉIA in indian Tupy-Gê is ´crowded beach´.

Nossas duas novas Musinhas do Verãozão! QUE POSE!

Dr. Indy Jones, escavando o que já estava por lá...

...ma que mané passear que nada, menina !

Christian Steagall-Condé, Boracéia, Bertioga, Litoral Norte de São Paulo

quinta-feira, 20 de setembro de 2007

FUI! NO ESCRITÓRIO ! *

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Se algum dia alguém chegar prá voce com uma camera na
mão e te ordenar coisas aparentemente estranhas do tipo:

´´Sobe mais a cabeça. Isso. Prá esquerda um pouco.
Isso. Vira um pouco os ombros. Não, prá SUA direita.
Não, não! VIRA OS OMBROS e NÃO a cintura.... Isso.
Espera. Sobe só mais um pouquinho. Isso... Espera.
[clickt!] ISSO! Assim mesmo, ficou bom, OBRIGADO!´´

É por que esse Le Citoyen ´em questã´ está impregnado
(pregnant, grávido) de imagens, então, apenas siga as
orientações e/ou instruções, não interfira, não se mexa,
se for perguntar algo, que seja ´´como?´´ permita-se
algum micro-constrangimento em público ao menos até
os nanossegundos decisivos da captura e do registro e,
sendo solicitado no posar de novo apenas ouça e o faça.

Os resultados, podem ser como os que estão à seguir... ;)

* FUI! é um programa na TV NET à Cabo da MULTI TV
Cidades e ESCRITÓRIO é um bar, com a festa abaixo.

[cenas em luz contínua ambiental s/ flash, pós-produção no Photoshop]

Paulo Fui! Moreira [gangsta lieder]

Rafa Fui! Pereira [gangsta partner]

João Phui Phábio [gangsta outsider]

Convidada [gangsta muse]

Milena !

Convidada

Convidada [gangsta muse]

Convidada

Isabela ! [anotha gangsta]

Fukuji ! [anotha gangsta]

Rena ! [budget gangsta]

Convidado

Casal Schmidt [screen gangsta]

Dupla de Amigas [females gangsta]

Dupla de Amigos [partime gansta]

Trio de Amigas [threat gangsta]

Casal

Casal Karan

Caixa [office gangsta]

Buatro Baladeiras Bêbadaz [addicted gangstas]

Fotógrafo fotografado [screen gangsta]

Hostess [sexie gangsta]

GONE! IN DA OFFICE ! *
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If someday somewhere comes to you with a camera on
hands and shouts apparently weirded things kindda this:

´Up more head. Yup. Left, a little. YUP. Twist
sholders a bit. No, NO, Shoulders, not hips and
made it to RIGHT!.. YUP! Up... little bit more...
more... ENOUGH! Wait... [clickt !] YAAWZAY !
THAT IS IT!!! Like this indeed, fine, TANKS!´

Thats becouse ´Le Citoyen´ himself was ´pregnant´
with scenes, so, just follow the instructions, do not
move by yourself, not even a muscle, do not annoy,
and if you will be ask for something, just say ´how´
in the meanning of how to make what He wants in.

Allow some public nano-constraintment among others
and strangers walkpersons there, until the conclusive
essay and light capture and, in the case of remake all
of that stuffs, do not asks the why, just listen & do it.

The ensue, will be like this next right here, ENJOY... ;)

* FUI! its a local Cable TV atracction, a puzzle with the
word OFFICE ( Escritorio Night Club) and GONE! (FUI!)
the scenario where this shots was taken during a meet.

[shots taken by the blissfull DCC MINOX LEICA M3 4.0 Mp w/ continnuous
ambiental local light, no flash, post production on contrast using Photoshop]

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- KEEP WALKING !

Eadweard Muybridge (1830~1903) espantou o mundo ocidental
com registros fotográficos contínuos, pretensos, raros, belos,
científicos, sem deixar de exibir uma poderosíssima estética,
nos dando a gênese do que hoje denominamos ´filme´ ou mais
comumente, CINEMA, corruptela latina do original em grêgo
kinemáthos do mais analógico -e óbvio- possível ´movimento´.

Há passagens históricas na fotografia que os registros falam por
si, como é o caso da corrida de bólidos auto móveis em Amiens,
França, onde o fotógrafo, prô seu encanto e surpresa, captura
as 1as. imagens da cena em movimento... COM MOVIMENTO!

Jacques-Henri Charles-Auguste LARTIGUE:
Most famous vintage "Focal Plane Shutter Distortion" with the Rène Croquet’s #6 Theophile Schneider racer. The car was captured as if leaning-forward-at-speed during the XIII Grand Prix de l’A.C.F. July 12, 1913 at Amiens, France.

Tal façanha é possível devido à travessia do Obturador num
plano horizontal, gerando uma Aberração Óptica, à um só
tempo simples e relativamente complexa, alterando nossas
Perspectivas e os Pontos-de-Fuga, estes, tão preciosos na
biologia do enxergar na Física do equipamento humano:

Sem esses referenciais presentes, nós nos confundimos !

No caso da imagem clássica do carro de corrida distorcendo
á direita, enquanto os espectadores deformam à esquerda,
isto ocorre por que o plano do obturador na horizontal passa
lentamente, enquanto Mr. Lartigue acompanha o movimento
do carro, técnica conhecida como ´panning´ ou varredura.

Eis que... A Leica DCC M3 também ´agrega´ essas qualidades !

Assim que dominar ainda mais o equipamento, tratando-o como
um obediente cão (por enquanto, é ele quem me domina, como
um gato faz personalizadamente com seu dono... ) devo obter
registros ainda mais satisfatórios, cujas distorções alteram... se
não em definitivo... ao menos ( eu vou querer acreditar ) em
parte, o modo ´´certinho´´ e controlado de vermos as coisas.

A VW´s Focal Plane Shutter Distortion, made it by myself!

Vórtex... Watch the concrete pole, squizzing by itself!

Squeeeeeeze... ÔPS... I am not pretty drunk out... YET.

Slightily "Spiral" Pole besides a Brazilian Phone Boot

- KEEP WALKING !

Eadweard Muybridge (1830 ~ 1903) enchants the Western World
with his continnuous shots, all rare, beauty, sublime & scientific,
but never forgotten a stronggest aestehetic aproach, a kind of
Contemporary Law-Giver in a pré-Cyber manner, giving to us the
foyeur of what all of us named ´´movie´´, from the Latin word
movement, or, more commercially, Movie Theatre, the Cinema
from Ancient Greek ´´kinemáthos´´ the roots of, yes indeed,
the obviously and so apopriate, analogic, ´movement´ word.

But exist some historic cliffs and trails about the photography
that its registers talks by themselves, like an ancient european
racecar, Cigars-like in form of Wheeled Rockets where the shutter,
for his own amazement and surprise, captures the 1st. original
scene in movement... WITH THE FRAMED MOVEMENT, INDEED !

This exploit it turns into ´possible to do´ in a propper manner,
becouse the obturator crosses through a horizontal plan, in a
Left-To-Right short movement, the so called "focal plane shutter distortion", complex iand simple at the same time, wich alterates
the point of perspectives, so necessary and usefull among us the
Superior Primates born-equipped with Steroscopic Lenses , the
phisycs of the human ´no sparepart equipment´ vision.

Without that perspectives, we feel -really- like losts animals.

In refference to the classic, vintage image of the race car in
deforming perspective to right, forwardding the scene while
the spectators was deformmed rewinded left, this happens
thanks to the slow motion of the shutter on horizontal axis,
while Mr. Lartigue hunts in a so skillfull and original mood
the old race car, in a panning movement with the camera.

Here is the DCC MINOX LEICA M3 also agregate this behaviors!

So expert I will turns into this gadget, dealling with it as a Loyal
Dog ( at this present moment, this machine was most kindda
CAT and I am his Comprehensive Slave... ) I will obtain much
more satisfatory records, which distortions alterates, if no in a
deffinitively way ( I want to believe this ), at least, in a partial
form against the confformed and controlled and naturall means
to watch things. I am talking here of ALL THE THINGS, INDEED.

Christian Steagall-Condé

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GHOST INDA MACHINE

Adoro essas fotos BIZÔNHAS, cujos créditos de sua produção devem-se inteiramente á ótica, num mix de Software & Hardware & CCD & Obturador & Quetais.... Tratam-se de interferências únicas, irreprodutíveis, seja no tom, na intensidade, no brilho RGB ou no poltergeist obtido.

Entendo esses registros, prontamente descartáveis por 99.9999% da humanidade, tão FOTOS, quanto qualquer outra.

Sem contar os tons cromáticos esfuziantes associados às texturas incríveis que são ´´geradas´´.

BBBBZzztH !

SHHRRHX!

ZZSRHHTX!

AI cherish this so BIZARRE photos, wich authoring credits of its productions lays integrally thoroughout the optics, in a weird mix and confusion among Software & Hardware & CCD & Leica Lenses & So On...

This interferences are UNIQUES.

Unreproduceables, originals, astonishings, speak us about Intensity, Contrast, Brightnessess or on the POLTERGEIST EFFECTS, do not mind, I REALLY understand that this records (even a single home-aloned one, lost in an old shoebox) IS photography, as any other image or scene taken conscientiously.

The funny things is:

99.9999% of mankind that I know, will discard them all, like toxic waste, an error, a fail, an absent, a slip, a lethal donkey-like stupid man making stupid things, a shame and on, and on, and on...

This shots have its beauty by themselves, not only about the fuzzy chromatic tones among incredible textures, handsome indeed, but -more bizarre- auto generated !

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